The dislocating effects of globalization, migrating cultures, and postcoloniality form the subtext of diasporic cinema. Thus this category of film is neither linguistically nor culturally monolithic. A number of scholars have discussed diasporic and exilic films as an international genre or movement consistent with the world today. Hamid Naficy outlines vital and nuanced distinctions between "diasporic," "exilic," and "postcolonial ethnic and identity'' filmmakers, who collectively comprise "accented cinema'' and, as he suggests, are in conversation with dominant and alternative cinemas.
However differentiated, though, diasporic films and other types of "accented" films share similar concerns, characteristics, and production practices. In culturally diverse and often compelling narratives and styles, they address the paradoxes of exile and the negotiation of difference and belonging in indifferent and frequently
Was this article helpful?
If you have ever wanted the secrets to making your own film, here it is: Indy Film Insider Tips And Basics To Film Making. Have you ever wanted to make your own film? Is there a story you want to tell? You might even think that this is impossible. Studios make films, not the little guy. This is probably what you tell yourself. Do you watch films with more than a casual eye? You probably want to know how they were able to get perfect lighting in your favorite scene, or how to write a professional screenplay.