This principle of cutting each shot down to its essence can be applied to show a character changing location. Rather than show the character move from point A to point B, the editor often shows her departing. If she is traveling by car, some detail about the geography of the area is appropriate. Unless there is a dramatic point to the scene other than getting the character from point A to point B, the editor then cuts to a street sign or some other indication of the new location. If the character traveled from left to right, the street sign will be positioned toward the right of the frame. Directors often use a tight close-up here. After holding a few seconds on the close-up, the character enters from frame left, and the zoom back picks up her arrival. If the shot is not a zoom, the character crosses the frame until she stops at the destination within the frame. With these few shots, the audience accepts that the character has traveled from one location to another, and little screen time was required to show that change in location.
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