1. Alan Lovell and Jim Hillier, Studies in Documentary (London: Martin Secker and Warburg, 1972), 86.
2. Quoted in Elizabeth Sussex, The Rise and Fall of British Documentary (Los Angeles: University of California Press, 1975), 144.
4. Anstey felt the film was too oblique, but it was far more successful abroad than Jennings's more direct film Fires Were Started (1943); see ibid., 146.
5. Paul Swann, The British Documentary Film Movement, 1926-1946 (Cambridge: Cambridge University Press, 1989), 162-163.
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