If most editing can be described as continuity editing, then it is equally true that a minority of films use discontinuity editing. As the name implies, there is no smooth flow to the shots that are edited together; there is a disruption between one shot and the next. However, discontinuity editing can be used to good effect. If continuity editing principally supports the meanings residing within the shots that represent the narrative, then discontinuity editing can be regarded as producing meanings from the ways in which the shots are linked together. The shots are not necessarily unified; rather, meaning comes from the way in which the shots interact.
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