Even the best creative minds get tired. You try six ways of cutting something and it still doesn't work, or the editor thinks it works one way, the director hates it, and the producer is thinking that now might be a good time to get that law degree. Assuming that you have at least something strung together in sequence, take a step back and try throwing all of the pieces up in the air. This is easier done at rough cut than fine cut, but it's a useful exercise in any case. You've got a story and structure that maybe aren't great, but they're fine. Open the door, for a short period, and let everyone throw out the craziest ideas they can think of, without anybody becoming scornful or arguing about why it won't work and that it's already been tried. "What if we started where the film now ends? What if we held off on the fireman's story until after his wife is in the accident? What if we told the story from the child's point of view, and not his parents'?"
Just throw it all out there and then try a few things. Maybe none of them will work. But in the difference between what was boring and safe and what is outrageous and stupid, you might see new opportunities. In other words, two wrong answers may lead you toward one that's right. You can't do this indefinitely, and at some point whoever's in charge has to make the final call. But what you end up with might be really interesting.
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