You didn't want to give up the incredible research you did or the wonderful people you found, so now you find yourself telling the stories of eight people, all with different goals but perhaps a common thread—maybe they're all recent college graduates looking for work in the United States. But your film is only an hour long and everybody is getting short shrift, or audiences can't keep track of which person was having trouble with his neighbors and who was being investigated by the Immigration and Naturalization Service and which one was going to move her business to
Seattle. You may need to make choices as to which people best embody the themes you are trying to convey or the policy issues or areas of discrimination you want the audience to know about.
You can also get distracted by too many details within an overall story. No matter what style film you're making, you need to keep track of the one primary story you're telling, folding in additional threads (or subplots, backstory, etc.) as they serve that one story.
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